style, art, entertainment, culture and more

December, 2006

 

 
Support MOSAEC, Visit Our Sponsors

|Home| |BackTalk| |Join Mailing List| |Archives| |Site Map|

SHOPPING
TRAVEL
JOBS
BARGAINS
CARS

  

125x125 - Brand

SITE TOOLS


Theater & Dance


Echo Park  - The Review
By David Dodson

In recent years as new generations began ushering in a new era for hip-hop, it seemed that much of the movement's history was being forgotten. In the spirit of historical preservation, co-producers/writers Kelly D. Scott and Sean Couch have put together Echo Park: The Hip-Hop Musical. Narrated by hip-hop legends Kurtis Blow and Grandmaster Caz, Echo Park recreates the early life of Caz and hip-hop itself. The musical highlights all of hip-hop's four elements (graffiti, b-boying, djing, and mcing) as it depicts the true story of how hip-hop first became a recorded music - a story seemingly pulled directly from Caz's life.

A DJ and an MC, Caz was the writer behind the original hip-hop hit "A Rappers Delight" released by the Sugarhill Gang. As Echo Park indirectly explains through fictional characters, Big Bad Hank went from being Caz's manager to a member of the rap super group after passing off Caz's lyrics as his own. Echo Park clearly portrays this act as the antithesis of the principles hip-hop stood for in its inception and a violation of trust. That this violation propelled hip-hop into mainstream media is a profound statement on how hip-hop has evolved and speaks volumes on the need for projects like this.


Unfortunately, where Echo Park is strong in intention, it fails in its execution. The musical plays as pure fiction to the uneducated since the historical validity of the story is never addressed. Even though Caz narrates Echo Park, it is the story of a fictional DJ Scott Rock and his manager Doc, not Caz and Big Bad Hank that we follow. Because of this, the relevance of the story is completely lost amidst the cabaret comedy that we get from going "waaaay back!" The aerial work of the b-boy's in the cast are quite the spectacle, however, their acting ability (and those of the other actors in the musical) leave much to be desired. Most of the music selections were true to the time period utilizing numerous classic break-beats. One exception occurs in the middle of the first act during a contrived dream sequence. DK Dyson (playing Scott Rock's mother) breaks out into a song, while appropriate for the story being told, seemed inappropriate for the hip-hop musical.

At a time when hip-hop is in need of projects that share and preserve the history of the movement for future generations it's hard to speak negatively about anyone fighting for that cause. However, while the need exists, I cannot be satisfied with the way Echo Park has attempted to fulfill that need. More importantly, the story of Echo Park is unclear because it's quite possible to leave the theater completely clueless as to what you have just seen.

The reasons for this are numerous. I can only hope that the creators are able to correct these problems before the next installment of what is supposed to be a trilogy is completed.
M

June 2000

 

Search Now:

 

In Association with Amazon.com


PLUS
Art & Museums Archive
Books Archive
Film & Video Archive
Music Archive
Sports Archive
Style Archive
Television Archive
Theater & Dance Archive

Make Flight Reservations & Purchase Tickets



|Art & Museums| |Books| |Culture| |Film & Video| |Music|
|Sites, Scenes & Words| |Sports| |Style| |Television| |Theater & Dance|

icon
Support MOSAEC, Visit Our Sponsors

 

|BackTalk| |Home| |Archives| |Site Map| |About Us| |Terms & Privacy Policy|

Copyright © RLP Ventures, LLC and/or its suppliers. All rights reserved.
MOSĆC, MOSAEC, mosaec.com and Pfolio  are trademarks of RLP Ventures, LLC.