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When the Levees Broke: A Requiem in Four Acts, 2006, 240 minutes, Not Rated 
By Ramona Prioleau

Requiem æternam dona eis, Domine, et lux perpetua luceat eis.

Grant them eternal rest, O Lord, and may everlasting light shine upon them.
(The Introit of The Roman Catholic Liturgy)

Many individuals of goodwill have distanced themselves ideologically from the officials that allowed some of America’s huddled-masses to suffer needlessly in the wake of Hurricane Katrina. For others, taking a principled stand was not enough. Action was the order of the day. Whether it was devising a makeshift raft to ferry the infirmed to dry land; confronting National Security Advisor Condoleeza Rice in Ferragamo; or brazenly declaring President George W. Bush’s disregard for Black people on live television, the compassionate legions used their respective strengths to offset the government’s unconscionable failure to act. And in Spike Lee’s case, the director picked up a camera. MORE >>>

 

 

 
 
© 2006 HBO Filmss 
 
 
A highly-regarded narrative filmmaker, Lee occasionally lends his distinctive brand of story-telling to the world of documentaries. His past works in that genre have included 1998’s 4 Little Girls, which was Oscar®-nominated in the Documentary Feature category, and 2002’s Jim Brown: All-American. When the Levees Broke: A Requiem in Four Acts is a heart wrenching addition to Spike’s body of work that thoughtfully captures the gravity and complexity of the physical and spiritual havoc wrought by Hurricane Katrina.

 


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Expansive in scope, Levees carefully explores the facts and circumstances surrounding the natural disaster.  The four-part documentary tells many untold stories, debunks popular misconceptions; exposes the breadth of the civic ineptitude that cost lives; and uplifts as it delves into the hearts and minds of the American citizens of the Gulf region. 

 

Levees draws on a treasure trove of original and archival footage and photographs to structure its narrative.  The original footage includes interviews with a collection of bold face names, but the gems in the film’s hours of footage come from the citizens of the Gulf region.

 

In describing their travails, these citizens tell their stories with a mixture of sadness, anger, sarcasm and humor.  Whether it is Cheryl Livaudais’ grand plan to secure electricity for her FEMA trailer; Mother Audrey Mason’s challenge to Barbara Bush, Fred Johnson’s political rant, or any of the many other stories of this tragedy, these stories succeed in engaging the mind and touching the soul.  Overall an outstanding mini-series, Levees segments featuring Phyllis Montana LeBlanc are the most captivating. Phyllis bristles with passion, verve and sincerity as she recounts her experiences before, during and after Katrina.

 

In a city known for its distinctive cuisine as well as the birthplace of jazz, the film would be incomplete without music. In Act III, Lee explores New Orleans' musical roots in a larger discussion of the importance of bringing NOLA’s citizens back home. In Act IV, a symbolic jazz funeral for Hurricane Katrina shifts the documentary toward an examination of the future of New Orleans.

 

 

 

 


© 2006 HBO Filmss

Phyllis Montana LeBlanc 
 

 

 

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It is said that to whom much is given, much is expected. In the case of a country that has been blessed with an abundance of wealth, power and ingenuity, the United States did not live up its citizens' expectations as it relates to Hurricane Katrina. When Bush, Blanco, Nagin and others that failed to do the right thing for the citizens of the Gulf region meet the ultimate arbiter of their fate, When the Levees Broke will serve as damning testimony against them. M

August 200
6  

 

MoQuotable(s)

 

Finding Levees Faces and Voices?

 

We have a great researcher. Her name is Judy Aley. She made two trips to New Orleans before we got there and she just walked around and met people. She would send me email with their stories and I would make the determination whether we should interview them or not….However, we still can’t locate the lady who got in Condoleezza Rice’s face at Ferragamo shoe store. So either she’s camera shy or she’s dead.

  Spike Lee (August 12, 2006, When the Levees Broke Press Junket)

 

Finding Levees Distinctive Footage?

 

Again, Judy Aley. That’s her job. That’s her profession. She got me everything that we knew of and it was our determination whether or not to use it, but that’s her job. She found some amazing stuff.

 

[In the footage that she found,] there were a lot of surprises, but I told her to get everything. I was surprised by that teleconference with Max Mayfield and [President] Bush, where Bush is told before [Katrina hit] that the levees might top, and later on he contradicts himself with Diane Sawyer saying that no one knew that this was going to happen. Also, I liked the footage shot through a windshield of a man walking in the water. He walks up and says that the levees just broke.

  Spike Lee (August 12, 2006, When the Levees Broke Press Junket)

 

Documenting Images of Death?

 

When you’re a director, you have many different choices. Talking about bodies, we had this dilemma in 4 Little Girls because Judy Aley found the post mortem photos of the four little girls. So when I got them, the issue was whether we should include them or not. I prayed on it and prayed on it and I made the decision that we had to show what the 100 sticks of dynamite did to the four little Black girls.

 

[In Levees,] I knew I was going to show bodies, but it was just a matter of how much.  I wanted to show as much as I felt the audience could take. And in a way, I felt it was like paying respect to those bodies.

  Spike Lee (August 12, 2006, When the Levees Broke Press Junket)

 

Affected by Your Own Footage?

 

It affects me and that’s why we knew we had to do this right.

 

For me, the hardest aspect was the interview with Kim Polk. That’s much harder to deal with than [showing] dead bodies. When I interviewed her, she was holding a picture of her 5 year old daughter Serena….

                               

The Polk family was gracious and allowed us to bring our cameras to the funeral. The most poignant shot, in my opinion, in the entire four hours, is that final shot of Act III where Kim just completely breaks down and her little boy runs in the frame completely unaware that his sister is dead. You see him run after Kim and we fade to black.

 

That happened! We were just there. We didn’t direct the kid. It’s just one of those magical moments that we were able to capture.

  Spike Lee (August 12, 2006, When the Levees Broke Press Junket)

 

An Unexpected Consequence of the Film?

 

The big surprise to me is how much humor there is in the film. You would not think going in that this is going to be funny and it’s not a funny subject matter. But, I think we captured the characters. There’s a special breed of people, Black or White, in New Orleans.

  Spike Lee (August 12, 2006, When the Levees Broke Press Junket)

 

Phyllis Montana LeBlanc – A Star is Born?

 

[Phyllis] was the first interview. We got to New Orleans the day after Thanksgiving [2005].  We had her meet us at Louis Armstrong [Airport]. The interview in the airport was the first day. She’s funny!

 

Two days ago, I told her, “You need to change your phone number!” She needs a talk show! She’s going to be a star!

 

The thing about her though, she can really write.  She should put a book together.  The scene that we ended with, before shooting it, she said, “I wrote something last night.”

 

I said, “Alright, we’ll shoot it.”

 

I didn’t know if it was going to be good or not, but then I was like, “Oh, sh!t!”

 

I didn’t know at the time that we would end the movie like that. She’s very talented.

  Spike Lee (August 12, 2006, When the Levees Broke Press Junket)

 

To Question or Not to Question Sean Penn’s Reason for Being?

 

I don’t think I have to justify that. He’s a great humanitarian. He went down there and he was saving lives. So, Sean is genuine. To me, personally, I didn’t want to question why he was there.

  Spike Lee (August 12, 2006, When the Levees Broke Press Junket)

 

 

Ever-Evolving Documentary?

 

With the addition of Act V, the length is now 6 hours and it’s still incomplete. We want to stay with the subject matter.

 

The film is incomplete because what’s happening down there is incomplete. I’d like to stay with this and come back in another year or so and examine it 2 or 3 years looking back and see how much has changed or has not changed.

  Spike Lee (November 17, 2006, When the Levees Broke Press Junket)

 

Keeping in Touch with the People?

 

I’m in touch with a lot of people and they’re still struggling.

  Spike Lee (November 17, 2006, When the Levees Broke Press Junket)

 

Act V’s Exploration of Criminal Injustice?

 

There are many people who were arrested or in jail prior to the breach of the levees and some are still in jail now because their records got lost. The whole judicial system is messed up. Records were lost. People don’t know who’s in for what. It’s just chaos. A lot of defense lawyers and district attorneys left. The whole infrastructure of the city is gone.

  Spike Lee (November 17, 2006, When the Levees Broke Press Junket)

 

Thoughts on Hip-Hop Response?

 

There were several benefit concerts and stuff like that. I know Jay Z has a song on his new album about how the United States deserted the citizens of the gulf region. But there are very few people who stood up. They talk about their platinum chains all the time so it’s disappointing more people didn’t stand up.

  Spike Lee (November 17, 2006, When the Levees Broke Press Junket)

 

Impact of Governmental Efforts?

 

Whatever [Mayor Nagin] is doing, it’s not working. Whatever [Governor] Blanco is doing, it’s not working. Whatever [President] Bush and the federal administrators are doing, it’s not working. All that’s been promised has not reached into the people’s hands. So it’s stuck somewhere.

  Spike Lee (November 17, 2006, When the Levees Broke Press Junket)

 

What if You Were In Charge?

 

This whole thing about if a category 5 hit New Orleans – there had been many studies as you saw in the film about what would happen. Not too many people paid heed to them. In reality, Katrina missed New Orleans. It was the breach of the levees that brought about the destruction. Anybody, including Mayor Nagin, should have been working on the levee system because people knew throughout that it was faulty. And even today, it’s still faulty. Thank God hurricane season is about to end in a couple of weeks because they got through. It’s like rolling dice. They keep thinking they’re going to dodge a bullet.

   Spike Lee (November 17, 2006, When the Levees Broke Press Junket)

 

Critical Acclaim Sure, But What about Audience Response?

 

[Levees] is the highest rated, most watched documentary [HBO] has ever had and that’s not including HBO On Demand.

  Spike Lee (November 17, 2006, When the Levees Broke Press Junket)

 

Affected by Renewed Interest in Your Career?

 

I don’t really worry about that stuff. If I worried about that stuff, we wouldn’t have been able to build up the body of work we’ve done. We’ve done 20 films in 20 years. I’m too busy to worry about that stuff.

  Spike Lee (November 17, 2006, When the Levees Broke Press Junket)

 

  Genre(s)
  Documentary

 

  Director
  Spike Lee

 

  Writer(s)
  N/A

 

  Producer(s)
    Spike Lee ... Producer  
    Sheila Nevins ... Executive Producer  
    Samuel D. Pollard ... Producer  
           
  Main Cast
  Shelton 'Shakespeare' Alexander ... Himself
  Terence Blanchard ... Himself
    Kathleen Blanco ... Herself  
    Eddie Compass ... Himself  
    Michael Eric Dyson ... Himself  
    Fred Johnson ... Himself  
    Phyllis Montana LeBlanc ... Herself  
    Cheryl Livaudais ... Herself  
    Ben Marble ... Himself  
    Gina Montana ... Herself  
    Ray Nagin ... Himself  
    Soledad O'Brien ... Herself  
    Sean Penn ... Himself  
    Wendell Pierce ... Himself  
    Kimberly Polk ... Herself  
    Garland Robinette ... Himself  
           
  Other Crew
  Cliff Charles ... Cinematographer
    Geeta Gandbhir, Nancy Novack, Samuel D. Pollard and Barry Alexander Brown ... Editor(s)  
    Terence Blanchard ... Music  
    Judy Aley ... Researcher  
           
  Distributor
  Home Box Office (USA) (TV)

 

  Release Dates
 



USA



August 16, 2006 (New Orleans, Louisiana)

 

  Filming Location(s)
 
  • New Orleans, Louisiana, USA 
  • New York City, New York, USA


  DVD Extras
 

When the Levees Broke (Extended DVD) 2006

  • The complete four-part documentary on three discs
  • Commentary by director Spike Lee
  • "Next Movement: Act V": a 105-minute epilogue featuring new interviews and insights
  • "Water Is Rising": A gallery of photos by David Lee with music by Terence Blanchard
  Official Site
  When the Levees Broke

 


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