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Disappearing Acts Survey


In case you haven't heard, HBO with Wesley Snipes is developing Terry McMillan's hugely successful Disappearing Acts into a made for cable feature.  Although Snipes will star as the conflicted "Franklin,"  the search for the story's female protagonist "Zora" is on.   MOSAEC has come up with a diverse (but by no means complete) list of emerging and established actresses with the talent to be yin to Snipes' yang.  While MOSAEC has zero pull with the producers of this flick, may be we can influence them pull together a well-rounded casting call.  Who do you think should star as "Zora" in the upcoming flick?
Kimberly Bailey (She Stood Alone)
Vanessa Bell Calloway (The Temptations)
Maia Campbell (In the House)
Joan Cargill (NYC Theater)
Lisa Nicole Carson (Ally McBeal)
Rosario Dawson (Light it Up)
Vivica Fox (Soul Food)
Lisa Gay Hamilton (The Practice)
Tammi Katherine Jones (Hav Plenty)
Regina King (Enemy of the State)
Sanaa Lathan (Best Man)
Nia Long (Love Jones)
Elise Neal (The Hughleys)
Lela Rochon (Why Do Fools...)
Thandie Newton (Beloved)
Jada Pinkett (Woo)
Gina Ravera (Soul Food)
Malinda Williams (An Invited Guest)
Vanessa Williams (New Jack City)
Other:


Not a scientific poll;
for entertainment only

Results as of October 5, 2000

Joan Cargill 34.68%
Lisa Nicole Carson 23.12%
Nia Long 11.56%
Regina King 6.94%
Other: Angela Bassett 6.36%
Lisa Gay Hamilton 3.47%
Sanaa Lathan 3.47%
Vanessa Williams 2.31%
O: T'Keyah C. Kemah 1.73%
O: LisaRaye 1.16%
O: Whitney Houston 1.16%
Vanessa Bell Calloway 1.16%
Elise Neal 0.58%
Jada Pinkett 0.58%
Kimberly Bailey 0.58%
Maia Campbell 0.58%
Vivica Fox 0.58%

Disappearing Acts
Terry McMillan

By Lisa Patrick

A decade ago, Terry McMillan helped initiate today’s explosion of books written by and about African-Americans. Disappearing Acts was her predecessor to Waiting to Exhale and the book that inspired thousands of new fans to search out Mama, her first novel.

Disappearing Acts
To Buy
Click Here

Disappearing Acts is very loosely inspired by a love affair in the younger years of Zora Neale Hurston, the namesake of Disappearing Act’s main character. The book derives still more inspiration from the substance and cadence of Hurston’s own writing.

Despite its nod to the Harlem Renaissance, Disappearing Acts remains extremely specific to 1980’s Brooklyn. In fact, it has as many time-and-place-defining details as the semi-autobiographical Mama does.


Zora is an elementary school teacher with dreams of becoming a professional singer/songwriter. Franklin is a construction worker with dreams of his own. Disappearing Acts picks you up and pulls you into Franklin and Zora’s tumultuous years together. While it raises familiar issues surrounding relationships of all kinds, its primary goal is not instructive. Instead, McMillan’s shifting of the narrative between Franklin and Zora illuminates their individual struggles to maintain independence and direction in the face of passion for one another.

Although Terry McMillan has been imitated often enough for this love story to sound trite, it does not. She avoids easy plot twists and does a very good job of keeping the reader interested in the central relationship at all times. Disappearing Acts rings true enough to be thought provoking and fun enough to keep you smiling.
M

September 1999

Also . . .
Disappearing Acts Book Review
Disappearing Acts Film Review
Television Archive

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