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Autism: The Musical, 2007, 93 minutes, Not Rated 
By Marona Lowe

 

Elaine Hall has a number of titles that follow her name – educator, writer, mother, consultant, performer, director and acting coach. Arguably, the most distinctive one is that of mother. Hall’s journey to mommy led her to Russia where she and her then-husband adopted an infant. Subsequently, her son Neal was diagnosed as autistic.  MORE >>>

 

 

 
 


 

 

To treat her child, Elaine employed arts therapy to good measure. Drawing from her son’s positive results, Elaine established the not-for-profit Miracle Project, a musical theater program aimed at enriching the lives of special needs children through the transformative power of the arts.

 

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Located in Los Angeles, Elaine’s Miracle Project attracted a large group of children eager to participate in a theatrical production that harnessed the unique talents and experiences of its performers.

Autism: The Musical, a documentary directed by Tricia Regan, takes audiences inside the Miracle Project for a peek into the development of the Miracle play. More importantly, the film provides an in-depth look at its featured actors - Adam, Neal, Lexi, Henry, Wyatt. Through following the children and their parents as they prepare for opening night and partake in the activities of daily living, the documentary presents the challenges and joys of raising an autistic child.


The film uses home videos and family photographs to supplement revealing personal interviews and unscripted scenes that capture the drama of life on and off stage. Although the title suggests that the film is about the show, the purpose of this excellent documentary is to tell the engrossing stories of the actors and their families.

Of all the performers, the child that commands the most attention with his impassioned discussions of his wish for a best friend and his hope for a bully-free life is Wyatt. When Wyatt’s parents come face-to-face with a financial roadblock to fighting for their child’s educational rights, the manner in which wealth affects health care is made patently clear. While this is a direct indication of affluence determining treatment options, the film also includes subtle examples of such through its presentation of the individualized care received by children of wealthy or influential parents.

 

Child services aside, one tie that binds the featured families is the strain that raising a special needs child has on relationships. In the film, marital breakdown and discord are discussed openly as are breakthroughs that reunite fractured families and keep curative hopes alive.
 

Similar to other programming where a constantly running camera captures the melodrama of the moment; Autism’s instance of such crackles with the intensity that one has come to expect from sports parents on overdrive and features an ultra-assertive parent becoming unhinged to preserve her child’s solo time under the theater’s bright lights. M

March 2008
 

 

 

 

 

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Autism: The Musical

 

 

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