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Dianne Reeves
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Dianne Reeves
Dianne Reeves

By Steven Fullwood

"Sky Islands," a Caribbean-flavored song that starts Dianne Reeves' eponymous Blue Note album, opens up another chapter for the Denver-native who furthers her flight into musical heaven. Good thing she allows us to tag along. The scant eight songs that fill this disc elevate Reeves' artistry and contains the classic (and second take) "Better Days."

This time out, "Better Days" is helped along considerably by the production of Reeves' cousin, the legendary producer, George Duke. The song has a leaner, more direct sound due in part to Reeves' approach; she's relaxed and considerably more confident. Reeves' delivery captures the essence of the song, a beautiful rendering of an eternal relationship between Reeves and her grandmother. Eddie del Barrio's bittersweet standard "I'm O.K." makes its first appearance here and is later retooled to perfection on 1996's The Grand Encounter. Following the trajectory of Reeves as she re-records versions of previously recorded songs illuminates her growth as an artist.

Dianne Reeves (the album) casts a larger shadow than that of her two previous efforts, due primarily to "Better Days," "Chan's Song (Never Said), written by Stevie Wonder and Herbie Hancock, and her cover of the Duke Ellington-penned classic, "I've Got It Bad and That Ain't Good." Enjoyable and effective, this carefully produced eponymous album is a feather in Reeves' cap and a joy to jazz and soul music lovers alike. M

June 2002

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Also . . .

 

 

Dianne Reeves - Staying True to Her Artistic Self and Grooving All the While

Art & Survival

Bridges

The Calling: Celebrating Sarah Vaughan

The Grand Encounter

In the Moment/Live in Concert

I Remember

Never Too Far

The Palo Alto Sessions 1981-1985

Quiet After the Storm

That Day

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