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Anita Baker
Compositions

By Carla Robinson

On Compositions, Anita Baker really flexes her creative muscle, utilizing live instruments all the way through - no drum machines here - plunging deeper into a jazz sound and writing or co-writing seven of the album’s ten songs. The result is a meditative, innovative and emotional record that will never go out of style. This 1990 release is aptly titled because it’s an album about music and the craftsmanship of songs. Not as well received as one might think, Compositions is friendlier toward the smooth jazz format than it is toward R&B radio, which may be one reason why (check: “Fairy Tales” is nearly eight minutes long). Although it was an unquestionably mature effort, Rapture garnered Anita many young fans. It’s safe to say Compositions did the quite the opposite.

Compositions
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True grown folk’s music, the record flirts with jazz more expansively, from the swinging melody of “Lonely” to the teasing piano tinkle of “Love You to the Letter” (which features Anita’s most lulling, pretty singing). It could be that Compositions was before its time. It’s the kind of record that Anita could produce today, sufficient years since Rapture having passed and people might be more receptive. How could the moody, declarative "Whatever It Takes" or "Talk to Me" with its soul-packed vocal arrangement not move us ? And ladies, do we not know the joyful gratitude expressed in “Soul Inspiration” or the heartbreak of “Fairy Tales”? Sure we do. To me, this record sounds better than ever. Maybe I’ve grown up over the years. M

February 2001

Also . . .
The Songstress
Rapture
Giving You the Best that I Got
Rhythm of Love
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