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From Down And Out In Beverly Hills To Up And In Washington Heights
By Ramona Prioleau

After years of film and television work in New York and Los Angeles, Manny Perez had grown weary of roles that occasionally offered him depth, but more often found him cast as a criminal. To combat that feeling, Perez picked up his pen.

 

Washington Heights
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"I was depressed and I started writing," he remembered. "I wrote the script in about 4 days and I shipped it to Alfredo [de Villa]."

 

Once Alfredo read the script, he was intrigued by the father-son dynamic that the screenplay explored. Perez collaborated with de Villa and producer Nat Moss to rework the script and it evolved from a film focusing on two generations of cops to one delving into themes of artistic integrity. While the filmmakers were intent on capturing an electric generational conflict, they were equally determined to capture the rhythm of the Washington Heights neighborhood.  MORE >>>

 

Washington Heights
© 2002 RLP Ventures, LLC
Cast & crew of Washington Heights at the New York International Latino Film Festival in August 2002

 

 

Perez and de Villa who were neighbors in Washington Heights previously worked together on the short film Neto's Run and were interested in repeating the experience. But the impetus behind placing the film so distinctly in Washington Heights was personal for de Villa.

 

"I'm Mexican and I've been living in the states for about half my life," de Villa revealed. "When I moved to New York 12 years ago, I gravitated to Washington Heights because it was closer to what I had grown up with in Mexico…the feel, the energy. I had to capture this. I have the opportunity to film something that's mine, that's my story in English without betraying the truthfulness of the story. Also, the Dominican experience has not been portrayed as much," added de Villa.

 

De Villa pays homage to his adopted home by finely giving voice to the community's distinctive vistas - the Cloisters, the rolling hills and the 179th Street twin towers, among others.

 

Being one of the few filmmakers to explore the Washington Heights neighborhood also intrigued Perez and influenced him to put pen to paper. Another motive was the desire to create a vehicle to showcase his craft. While Perez had a recurring role on Law & Order: Special Victims Unit and was a regular on 100 Centre Street, in Washington Heights, Perez demonstrates his ability to portray a young man in transition.

 

Choosing the path of self-determination has already yielded benefits for the two filmmakers. The film has won numerous festival awards, including the award for Best Feature film at the New York Latino International Film Festival. For MOSAEC's review of the film, click here. M

May 2003
 

 

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