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he understands that studio economics can dictate casting musicians in
films rather than entertainers that are actors exclusively. He
explains, "If studios make a movie with a Black person in it,
they want the Black person to be known by White people. Especially,
the White kids in the demographic that they all like - the MTV
generation." "The white kids in Idaho and Utah, they're very
familiar with the hip hop generation. So [studios] do plug in the
singer, the rapper or whoever is on MTV," he adds. Despite
these harsh truths that typify the Hollywood system, Chestnut has
performed in his share of films marketed to crossover audiences
throughout his career. Currently, Morris can be seen in one such
project, the suspense film The Cave. In The Cave, he portrays Top
Buchanan, a member of an elite team of cave divers that encounter
amphibious subterranean creatures while exploring the depths of an
underwater cave network.
One of the things that influenced Morris to take
the role was that "the Black dude lived past the first ten pages
of the script," he humorously acknowledges, making reference to
the typical plot sequence where the lone Black actor in a horror or
suspense film gets got first.
To prepare for the role, Chestnut went through
intense rock climbing and scuba-diving training. Not a fan of the
water, Morris nevertheless had to get wet more than he would have
liked because the film was shot in Romania and "they didn't have
any black stunt doubles," he explains with a chuckle.
In addition to the physical challenges that
included carrying the gear called for in the role, Chestnut noted that
the acting process differs in a film like The Cave. "You really
have to use your imagination," because the movie involved a
number of special effects and at times the actors were filmed opposite
"a tennis ball on the stick" that served as a stand-in for
the cave creatures he explains.
Even with all the careful advanced planning that
occurs in the filmmaking process, bad movies get made and are
distributed. "No studio sets out to make a bad movie, but there
are bad movies all the time," he states. "I've been in some
quite frankly, but that the way it ends up some times," he adds.
He acknowledges that things can take a downturn on
a film at different stages in a production and that as an actor one
never really knows when or if it will happen. In large productions
where there are so many "chefs in the kitchen," digressions
from the initial plan can occur once studio decision makers, on set
filmmakers, editors and other crew members add their input to the
project. Morris explains that "as actors, all we can do is
prepare ourselves for our characters." "As an actor you have
no control - unless you're Will Smith and you get in the editing room.
At some point you have to trust other people," he adds.
Between acting assignments right now, Chestnut is
in the process of developing a dramatic series for television. Last
season, he produced and starred in a comedic pilot for NBC that was
not acquired. His goal in pursuing a television series is to work on a
project in Los Angeles that will give him more time to spend with his
family. M
August 2005
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