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Kill
Bill: Volume 2, 2004, 136 minutes, Rated R
By Ramona Prioleau
A
dramatic comedy set in the American southwest, Quentin Tarantino's Kill
Bill: Volume 2 commands attention with its bold visuals, stellar
acting and narrative idiosyncrasies. Through his filmmaking, Tarantino
is equal parts sieve, blender and chef who sifts through motion
picture history for elements of cinematic brilliance and combines
these distinctive influences to create a harmonious visual feast
topped with his artistic flourish. With Volume 2, Tarantino
completes the sampling that he abruptly interrupted after the first
course due to studio reservations about a 3 hour theater engagement. Having
achieved widespread acclaim with his own brand of contemporary
filmmaking, Tarantino explores the martial arts and Western genres in Volume
1 and Volume 2, respectively. With the Kill Bill mini-series,
Tarantino creates an anthology of film references to which he adds
offbeat characters and a simple, but multi-layered plot. While Volume
1's narrative lacked the sharply focused dialogue Tarantino is known
for, he returns wholeheartedly to the storytelling quirks that made
him a household name in Volume 2. In the Western, the filmmaker's
knack of mixing light-hearted banter with unconventional dialogue for
comic effect is on full display. And Tarantino taps a new vein of
brazenness with Bill's bedtime explanation of how he shot mommy,.
Nevertheless, Volume 2 occasionally overcompensates for its
predecessor's deficiencies as a few of the Western's dialogue
sequences could have benefited from a bit of choice editing.
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In setting out to pay
homage to the Western, Tarantino creates a modern day archetype that
updates the genres usual suspects. In Volume 2, the saloon is a strip
club; the bunk house a trailer; the horses rumble rather than bray;
and the bad guys and gals sling blades, not guns. What Tarantino
purposely incorporates from vintage Westerns is the arid plains,
craggy landscapes and distinctive architecture.
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Throughout
Volume 2, Tarantino depicts many memorable moments, but none is more
visually stunning than the mud-splattered Bride against the blistering
haze of the southwestern plain and none is more conceptually
breathtaking than the Bride's buried alive scene captured with grainy
pitch black imagery, the sounds of soil reverberating against pinewood
and the Bride's heart wrenching doom-filled murmurs.
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© 2004 Miramax Uma
Thurman (the Bride)
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As
one would expect, Volume 2's narrative employs its fair share of
flashbacks and flashforwards, but Tarantino appears to purposely
temper his use of these narrative techniques in order to focus
attention more sharply on the film's dramatic elements, thereby
allowing the story to develop at a more deliberate pace. Those often
confounded by Tarantino's usually excessive anachronistic story
structure will appreciate what for Tarantino is a seamless transition
between events. Similar to most
Tarantino films, the Kill Bill tale is a simple one. Here it's a story
of heartbreak begetting a massacre that leads to a Bride hell-bent on
the big payback. Having sliced and diced foes Vernita Green (Vivica
Fox) and Oren Ishii (Lucy Liu) in Volume 1, the Bride (Uma Thurman)
continues her trip along retribution roadway in Volume 2. Her targets
- Elle Driver (Daryl Hannah), Budd (Michael Madsen) and Bill (David
Carradine) - a treacherous three sensitized to feel the heartbeat of
approaching danger. Without the element of surprise that hastened her
quest in Volume 1, the Bride's remaining enemies initially repel her
fists of fury and thus delay her journey as well as the distinctive Ironside
riff that signals when the Bride is about get busy avenging.
Does the vixen vigilante vanquish the remaining
Vipers? Well, that's besides the point as Volume 2 spends less time
hyping the method of the Bride's remaining battles and more time
exploring the natures of the blade slinging warriors.
Overall, the ensemble portraying Volume 2's cast of
characters delivers remarkable performances. While Hannah scores high
marks for her treacherously enjoyable turn as Elle Driver, Uma Thurman
is magnificent as the Bride, a role in which Thurman captivates with
her fair-haired furor and grim-faced grit. For Thurman, the Bride is
an all encompassing challenge that she willing tackles with
outstanding skill and verve.
Yet, the most intriguing character is Carradine's
Bill, a seemingly evil twin of Kwai Chang Caine, the Shaolin monk
Carradine is widely known for portraying. Where the priestly Caine
wanders the American West searching for his brother and avoiding
bounty hunters, Bill has a more dastardly mission. Bill seeks
impressionable young women looking for a patron. But this should not
come as a surprise since early in his life Bill was introduced to the
art of exploitation.
Mentored in his youth by Esteban Vihaio (Michael
Parks), an old school procurer of flesh, Bill somewhat follows in his
surrogate father's footsteps. Instead of the sex trade, Bill recruits
vixens for the death trade and provides them with the skills to
succeed as killer call girls. The price Bill's protégés pay for his
patronage is unending loyalty. And as it is with most pimps, attempts
to leave the stable are met with at least a beat down and sometimes a
cap to the dome.
Volume 2 is worthy of praise on many levels, but
it's a shame that even with so much time in the mini-series devoted to
plot development that all of LaTanya Richardson's and Michael Jai
White's scenes were deleted. Hopefully, Tarantino will show the bro'
and sis' some love in the film's DVD. M
April 2004
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