While multicultural characters that are created and portrayed with depth are not totally absent in films produced via the Hollywood system, they are not the norm. Independently financed film projects fill the artistic void left by mainstream studio films. By watching indies, one can revel in a cinematic experience where complex characters often bare their foibles and explore a myriad of emotions. In that regard, Bertha Bay-Sa Pan's Face introduces a medley of rich characters that encourage further contemplation and the three generations of women at the center of the narrative command the most attention. Although members of the same family, the ties that bind the young coed Genie (Kristy Wu), the thirty-something Kim (Bai Ling) and the elderly Mrs. Liu (Kieu Chinh) are stretched and strained to the breaking point in the film as their wills clash.

Set in New York City in the 1970s and the 1990s, Face presents a striking comparison of two young women on the cusp of adulthood - Kim, shy and retiring and a seemingly dutiful daughter, and Genie, a plucky city gal that hides her emotional scars behind a mask of invincibility. Both young women ultimately make personal choices that conflict with their traditional upbringing, but each has a distinct approach to reconciling the familial conflict that results. The cinematic contrast of Kim and Genie's personalities and their courage under fire is the bedrock of the film and serves to heighten the film's contemporary relevance.

© 2004 Indican Pictures 

Costume design adds significantly to the narrative, firmly placing the film in the past and present. Costume designer Sarah J. Holden is at her best in designing a wardrobe for Kim, who swaps her prim and drab garb of the 70's for sophisticated trappings in the 90's, signaling her emotional maturity and personal growth. 

Newcomer Pan confidently directs Face and carefully constructs scenes that develop Genie's and Kim's characters so as to spotlight the differences in their approach to relationships and conflict. Moreover, Pan skillfully yields wonderful performances from her ensemble cast, fashioning characters that leave lasting impressions. Kudos also to Pan for directing Treach in a standout performance that expands his range magnificently and pulling from Kieu Chinh the shortcomings and strengths that distinguish her performance as Mrs. Liu from the actress' other signature roles. M

March 2005