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Drylongso, 1998, 87 minutes, Not rated
By Patricia Flowers

There’s something to be said about the portrayal of young black women in films - most plots contain friendships easily severed by a wickedly handsome male character. Enter Drylongso, Cauleen Smith's feature film debut, that depicts the stirring tale of two women whose chance meeting mushrooms into a marvelous friendship that's absent of competitive bickering, nail polish and lipstick talks.
 

 
Pica (Toby Smith), youthful and street savvy, is a tower of strength whose convictions garner respect and love from her community. Pica roams her neighborhood armed with an instant camera ready to photograph young black men she believes are near extinction. Her commitment to acknowledging their untimely deaths falls just short of obsession.

Drylongso
Courtesy Cauleen Smith

April Barnett and
Toby Smith in Drylongso

 
Pica's stunning introduction to Tobi (April Barnett) - teary-eyed, disoriented and beaten by her abusive boyfriend - didn't trigger the familiar conclusions drawn about battered women. Instead, Pica extends a hand to Tobi free of stereotypical profiles. Just as Tobi hides from her abusive boyfriend, she also hides her tender shapely figure in oversized flannels and denims. By masking her femininity, Tobi attempts to free herself from fear and unwanted sexual advances in the hope of regaining her power.


 
 
Drylongso examines hard issues: parental support and responsibility, premature deaths of young black males and physical violence. Because its characters never engage in emotional cathartic battles, Drylongso avoids the trap that makes movies tackling similar themes very preachy. Although Tobi's abusive boyfriend provides the most predictable and least anticipated element to Drylongso, other secondary characters provide a refreshing diversion. Tobi and Pica's onscreen synergy was particularly noteworthy and time spent developing the film's subplot could have been better devoted to them.

The word Drylongso “is an African American secular term that means ordinary.” But there’s something very fresh and new about this movie.
M

July 1999

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