
SITE TOOLS
|

|
|
Dave Chappelle's Block Party,
2006, 100 minutes, Rated R
By Ramona Prioleau
The essence of a block party is that it is
a shindig by residents for residents of a particular ‘hood and
usually includes plenty of good vibrations and libations. But in
Dave Chappelle’s Block Party, there is neither a bucket of fried
chicken nor a jug of Kool Aid in sight. What Chappelle does provide
in abundance is tunes from socially-conscious hip hop and R&B
artists. And although he is an outsider to the particular block on
which the party takes place, Chappelle playfully ingratiates himself
to local residents and businesses that are affected by his gig.
|
|

To Buy
Click Here
|
|
| |
Recorded in September 2004 when
Chappelle’s popularity was at a peak due to the phenomenal success
of his
weekly sketch comedy show, Dave emcees a gathering of his
musician friends at the intersection of Quincy and Downing in
Brooklyn, NY who perform live before an eager crowd of mostly
20-somethings and a selection of Buckeyes bussed in for the event.
The audience withstood strong winds and rain to groove to the sounds
of the likes of Kanye West, Mos Def, Erykah Badu as well as witness
the reunion of the Fugees. MORE >>>
|
|
| |

© 2006 Rouge Pictures
Mos
Def in
Dave Chappelle's Block Party
|
|
|
Described by Chappelle as the concert of his
dreams, Dave’s famous friends give all around stellar performances. But
the most engaging one is from an act that probably gets the least amount
of radio play – Dead Prez. The duo’s Bigger than Hip Hop and Turn Off
the Radio are packed with lyrics that force a deeper examination of not
only music, but also society and signal the political undercurrent to
the film. The documentary and concert film also
follows Chappelle around Brooklyn as he spreads the word about his event
and doles out trips to the Big Apple to some of the residents of his
adopted heartland home. The film is its most intriguing when the
spotlight shifts from the musicians in performance mode to the offstage
interaction between the artists and Chappelle as well as when the
anonymous voices from Middle America share their experiences and
reflections. Throughout it all, Chappelle entertains with his unique
comedic flow.
|
|
|
ADVERTISEMENT
Support MOSAEC, Visit Our Sponsors
|
|
Block Party is entertaining because of the opportunity
to see the various artists passionately perform their chart-topping
hits in unity rather than competition. Nevertheless, the film
presupposes a familiarity with the featured artists. The sparse
textual and inconsistent narrative introductions of entertainers
hamper appreciation of some of the film’s supporting acts. In
addition, the film is short on compelling comedic moments and fails
to present a satisfying blend of narrative interludes and
performance footage. M
March 2006
|
|
|
|
|