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Catch a
Fire,
2006, 102 minutes, Rated PG-13
By Ramona Prioleau
A tale of “company men,” one
revolutionized and the other demonized, Catch a Fire explores
Patrick Chamusso’s resistance to the South Africa’s apartheid regime
and Nic Vos’ complicity in the regime’s indiscriminate oppression
and torture of its citizens. MORE >>>
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© 2006 Focus Features
Derek Luke and Tim Robbins in Catch a Fire
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Although
a historical look at one country’s turbulent times, Catch a Fire has
contemporary relevance as it sheds light on atrocities committed in
the interest of national security. In Phillip Noyce’s smartly
directed historical thriller, Derek Luke and Tim Robbins are
exceptional as Chamusso and Vos, respectively.
M
October 2006
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MoQuotable(s) |
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Historical Significance?
I want the story to be told so that the common man like me knows
that everyone is important in the face of this universe. It’s not
only people who have money who are important…People will see that
even a common man like me participated in the history because nobody
talks about us. They talk about the top.
The grassroots person is where the real story is because the
President is a president because of that man. But we don’t talk
about him, we talk about the top. But I think it’s time now to talk
about everybody. Everybody is important.
Patrick Chamusso (October 5, 2006, Catch a Fire Press Junket)
Patrick [Chamusso] to Joe [Slovo] was the symbol of the change
that happened in South Africa – an ordinary many who just said,
“This is not right. I must do something now.” And through courage,
tenacity and focus actually was the story. He wasn’t someone who had
a history of political activation as a student like many who went
into exile.
Shawn Slovo (October 5, 2006, Catch a Fire Press Junket)
Greatness is in every single one of us. I think sometimes it’s
more powerful for an audience to see a story like this…From an early
age, I was fascinated with ordinary stories and the ways in which
they can guide us.
Phillip Noyce (October 5, 2006, Catch a Fire Press Junket)
Surviving Political Imprisonment?
I think it was the
struggle because I knew that one day we would be free. Even though
it’s hard, but we would be free. It’s what kept me going. And the
discussion that we were engaging in, this was what was driving us in
the right direction. One day, no matter how long it was going to
take, we would be free.
Patrick Chamusso (October 5, 2006, Catch a Fire Press Junket)
Forgiveness?
To forgive is very important, but don’t forgive and trust at the
same time. Wait until time pasts.
Patrick Chamusso (October 5, 2006, Catch a Fire Press Junket)
I can admire [Patrick’s ability to forgive] and I can relate to
it. I would hope that I would have the same generosity of spirit
when presented with the same challenges.
Tim Robbins (October 5, 2006, Catch a Fire Press Junket)
In my own personal life, forgiveness has played such a powerful
role. Forgiveness has the power to free you. At first, you think to
forgive is to be foolish, but it is actually in [forgiving] that you
find your greatest strength and that you can actually overcome any
lies that the oppressor has fed you. South African leaders like
Nelson Mandela and Bishop Tutu are people who embody that kind of
thinking…They didn’t just preach it; they lived it. It is everything
they are and stand for. With that kind of example, it’s hard not to
understand it as a South African.
Bonnie Henna (October 5, 2006, Catch a Fire Press Junket)
For a lot of people the Truth and Reconciliation Commission was
very cathartic and helpful, particularly for people who never knew
where the bodies of their families were. On the other side, there
was a lot of genuine and cathartic admission of guilt and apology
and pleas for forgiveness. It was a great healing process for the
country as a whole.
Shawn Slovo (October 5, 2006, Catch a Fire Press Junket)
Contemporary Relevance of Historical Film?
If we keep our eye firmly on the past, we’ll see the future and
the present…It’s up to each individual to draw those conclusions
based on their own observations.
Phillip Noyce (October 5, 2006, Catch a Fire Press Junket)
An enormous amount can be drawn from the South African experience,
on all kinds of levels, that has relevance today.
Shawn Slovo (October 5, 2006, Catch a Fire Press Junket)
Becoming a Boer?
I felt my job was to find the humanity in this guy that we would
consider from our safe distance to be the evil guy…In the 1980’s, I
never gave much thought to who the oppressor was. When you land on
that soil and start meeting these people, you have to invest them
with some kind of humanity. You can’t just say they’re evil and
that’s the end of the story…It’s a tragic story and these police
officers were caught up in the story and are on the wrong end and
the losing end of this particular history. It doesn’t justify or
rationalize anything they did. They had to do that job at that time
and they all understood that there was something wrong about
apartheid. Their choice was to: enforce the law and do the job or
leave, abandon their country and family and become a traitor.
[The process] wasn’t pleasant. I had to spend hours with Hentie
[Botha] and I didn’t like it. He kind of pissed me off at times; but
I had to hold on to that. It wasn’t my job to admonish him. We got
into discussions and at times I felt like he was rationalizing
something and I’d try to bust him on it, but I realized that I had
to get him for who he is. I can’t have a debate with him. That’s not
my job…I had to let him know it was okay to show me who he really
was.
Tim Robbins (October 5, 2006, Catch a Fire Press Junket)
Time with Tim?
He’s funny. [Tim Robbins] took me to my first Reggae, hip hop
South African club and he was the only White dude dancing. I said,
“Isn’t this the day when a brother is sitting down watching the
White man dance?” He’s 6’5” so he can’t hide and you have people [at
the club] saying, “Ho-o-o!! Shawshank!! Shawshank!!”
He’s a cool Kat and he has a big heart because he wanted to make
sure all the extras were taken care of. You would have thought he
was a union leader or something…He’s a great guy to be around and
great for a younger actor.
He also told me, “Pace yourself Derek. You’re going too fast.
After you do an intense scene, you need to tell them you need to
inhale and get a break.” I said, “Yeah, YOU can do that!” He helped
me navigate through the film.
Derek Luke (October 5, 2006, Catch a Fire Press Junket)
Just Say No?
One of the things I
learned early on was how to say no. Thank God I did. It’s hard to
say no to millions of dollars…I had to do it the other day…I looked
at being away from home for 3 months in a crucial year for both of
my boys and I thought of hearing about Jack’s basketball games in
Africa and I said, “I can’t do it.” My youngest is 14. So in about
four years, I’ll become a total prostitute.
Tim Robbins (October 5, 2006, Catch a Fire Press Junket)
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Genre(s) |
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Drama,
History, Thriller
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Tim Bevan |
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Producer |
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Liza Chasin |
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Executive Producer |
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Miranda Culley |
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Associate Producer |
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Eric Fellner |
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Producer |
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Debra Hayward |
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Executive Producer |
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Anthony Minghella |
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Producer |
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Sydney Pollack |
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Executive Producer |
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Robyn Slovo |
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Producer |
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Tim
Robbins |
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Nic Vos |
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Derek Luke |
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Patrick Chamusso |
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Bonnie
Henna |
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Precious Chamusso |
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Mncedisi Shabangu |
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Zuko September |
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Tumisho
Masha |
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Obadi |
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Terry
Pheto |
... |
Miriam |
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Sithembiso Khumalo |
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Sixpence |
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Ron Fortunato |
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Cinematographer |
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Jill Bilcock |
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Editor(s) |
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Philip
Miller |
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Music |
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Susie Figgis |
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Casting |
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Reza Levy |
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Costume
Design |
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Distributor |
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Focus
Features
(USA)
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Release
Dates |
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USA |
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October
27, 2006 (general release) |
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Filming
Location(s) |
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Cape Town, Western Cape,
South Africa
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Johannesburg, Gauteng,
South Africa
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Mozambique
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Sasolburg, Free State,
South Africa
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Swaziland
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