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Anna and the King, 1999, 147 minutes, Rated PG-13
By Lisa Patrick

The diary of Anna Leonowens, the source material for Anna and the King, inherently limits the story. We see everything, including the King (Chow Yun-Fat), through Anna’s eyes. Anna Leonowens (Jodie Foster) is an Englishwoman arriving in 1862 Siam (modern-day Thailand) from British India to teach the King’s many children. Anna’s outlook expresses the contradictory qualities of imperialist superior, wonder and compassion probably typical for a woman of her background and time. For instance, she is outraged at slavery in Siam and goes so far as to trade her late husband’s wedding ring for a slave’s freedom and covertly encourages the King’s oldest son to read Uncle Tom’s Cabin. And yet, there is no similar discussion surrounding the two Indian servants she brings with her from India who appear at her beck and call.

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King and Anna
20th Cent. Fox

Chow Yun-Fat & Jodie Foster

Despite the story’s limits, Chow Yun-Fat does a tremendous job of bringing us into his Siam. He wants Siam to take its place among the modern world, but he has traditions to adhere to, many of which help him maintain authority over his subjects. Well-illustrated by the film is the risk the King runs in allowing Anna influence over him. Anna is not subtle in how and what she speaks to the King. To our modern ears, what she says may have merit; but, she seems oddly ignorant about undercutting the King’s authority and making him appear weaker because of it.

Overall, Anna and the King was surprisingly brutal, as well as amazingly moving. Another surprise is the personal/romantic relationship between Anna and the King. By today’s standards, it was extremely reserved - their only physical contact was during two waltzes. They are certainly attracted to one another, but their respective cultural backgrounds discourage a mutually satisfying relationship. Nevertheless, love they do. M

January 2000


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