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  Crowns: Portraits of Black Women in Church Hats
Michael Cunningham and Craig Marberry

Reviewed by Carla Robinson
 

“Sometimes, under those hats, there’s a lot of joy and a lot of sorrow.
----Sherrie Flynt-Wallington, Interviewee, Crowns

Crowns
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No one who has ever attended Sunday worship in a Black church can deny the splendor and spectacle of women dressed to the nines with hats worn ace-deuce. These ladies take the term “biblical proportions” seriously. When Paul the Apostle decreed that, in order to show respect for God and authority, women cover their heads in houses of worship, he couldn’t have known what the Sisters would do with his edict. Ribbons, feathers, rhinestones, netting, beads, shells, metals and mink are just some of the materials used to adorn their crowning glories. As far as Black women are concerned, if one must submit to authority, one must do it on one’s own terms.

In Crowns: Portraits of Black Women in Church Hats, photographer Michael Cunningham and journalist Craig Marberry capture the essence of the Black female hat-wearing tradition in high style. The book features resplendent black and white photography that allows the character of its subjects to shine. The women are as varied as their taste in hats. Instead of pairing the portraits with essays or poetry, Marberry chose to include excerpts from interviews. In her own words, each woman shares moving anecdotes regarding her journey to hat queendom. The stories are often funny, sometimes sad, and always revealing and insightful. And although the photographs are first-rate (it would be worth acquiring a second copy of the book in order to frame some of them), it is the stories that keep the pages turning. In Crowns, we find the loveliest jewels are not the ones adorning the hats, but those that can be found in the lives of the women who wear them.

Many of the women tell of watching their mothers and grandmothers toil in plain, unadorned clothing during the week and the impact of seeing them step out in their finery on Sundays. Finery that always included a hat. Others recall how donning hats helped them connect to their loved ones. Adnee Bradford, a 62 year-old university department chair, says that her father “wasn’t the kind to express his emotions” but when he would see her in a nice hat, he’d laugh and say “‘Sis, where’d you get that hat?’ That was his way of saying he liked to see me dressed up … I never questioned my daddy’s love.”

Carmen Bonham, a 43 year-old funeral director, shares how she came to wear hats to pattern herself after her mother, “a good mortician’s wife.” When Bonham began working at her ailing father’s funeral business, not many women were buried wearing hats, but “these days, we bury more women with their hats on. Some families say, ‘If it don’t work, don’t worry about it.’ But I always make it work…. You know, if a woman wears a hat all the time, she’s going to look naked in the casket without one.” Bonham reveals she’d like to be cremated, “Otherwise, who’d do my hat up right?”
M

December 2000

 

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